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Day Two of the Roo: Hanging out in the Dust

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Foster the People at the Which Stage

The majority of my day two of the Bonnaroo Music and Arts Festival consisted of my hands being in the air and the myriad of lights from the stage flashing over my face while listening to some of the best music.

Three of my favorite bands played, but I only really got to see and experience Foster the People, who is really all I cared about seeing for most of the festival. However, I managed to sit and listen to the Avett Brothers show for half an hour, and they put on a

The Avett Brothers playing at the main stage of Day 2.

great set. Had it not been for Mumford & Sons, I probably would have never fell in love with the Avett Brothers. I guess I did the whole hipster music scene in the wrong order.

I also got hear a little bit of the Ludacris show at This Tent, but the portion I heard was nothing but him singing Top 40 hits and none of his own music. More people showed out for him than I ever imagined, and the crowd went as far back as one of the vendor rows, which was impressive.The best show I saw all night by far was Foster the People with the atmosphere instantly changing as soon as the band played the first note. I cannot remember the exact order of the setlist, but they performed more of their popular hits from the Torches album like “Call It What You Want,” “Helena Beat,” “Warrant” and “Don’t Stop.”

By far the best song and stage performance came when the band began the opening notes to “Pumped Up Kicks,” which is the most popular song off the Torches album and a Top 40 hit. The crowd went crazy, and so did I. Confetti showered down us, and huge inflatables began popping up on the stage. Most if not all the crowd loudly sang the lyrics, making the concert even better.

Foster the People’s Mark Foster and Mark Pontius perform their song “Call It What You Want”

However, fans of Foster were also Raidohead fans. The final note of “Pumped Up Kicks” seemed to activate a massive herd of people all trying to reach the main stage to catch the set. Radiohead brought out thousands of fans, and there was no place to even sit or stand.

Trying to listen to them presented a challenge because of all the people, but I did learn a tidbit of news for all you Radiohead and Jack White fans.During the show, Radiohead gave out a huge thank you to Jack White, but wouldn’t tell us why. I am not sure what’s going on, but I’ve heard murmurs of a collaboration between the two from some of the die-hard fans that talked to me. We will just have to see.

I am not sure what is on tap for today. I hope to hear Alice Cooper and the Red Hot Chili Peppers. It’s going to be a good day ladies and gentlemen. There is too much music in my little town for it not to be.

Day 1 of Bonnaroo lets the smaller acts shine

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Waiting on Yelawolf to take the That Stage.

The moon is full, and the music is coming from all angles on a 700-acre farm in my hometown of Manchester, Tenn., where four days out of the year my town becomes the hub of one of the largest musical festivals in the world.

Bonnaroo got the party started tonight with a variety of smaller artists lighting up the tents and the smaller stages while all the festival-goers continued to trickle through the gates. As of late this afternoon, Bonnaroo finally sold out for the eleventh year of the festival.

Being a local, I highly anticipate this time of year. To kick the festival off, I found my way over to the This Tent to watch Yelawolf, a white rapper from Alabama. I had never heard of him until recently and knew only of his song “Let’s Roll” that featured Kid Rock.

Out of no disrespect to him, he wasn’t exactly on my see list. However, one of my friends raved on and on for weeks before Bonnaroo even started, and blared his music anytime we were together.

Before Yelawolf even took the stage, I heard a few songs from artist Danny Brown, who is rapper from Detroit, Mich. I had never heard of this performer, but that is the fun and part of the point of going to a music festival. I am not going to know every act or heard of every band, and I definitely enjoy getting to hear new music and maybe even becoming a fan if they suit my eclectic tastes.

Finally around 8:30, Yelawolf started to play, but I was so far back from the stage Yelwolf was nothing but a dot on a straight line. Being short has no advantages at Bonnaroo unless someone taller than you allows you to sit on their shoulders. Otherwise, you can only dance and listen from where you are standing.

In simple terms, Yelwolf put on a fun show. He burst music from different genres. Being a southern Alabama boy, I guess he couldn’t totally ignore his roots as he sang a little Johnny Cash and Lynyrd Skynyrd. What’s a good concert in the south without a few chords from “Freebird”? Yelawolf finally started playing his own beats again, but not before he contributed the rest of his show to the Beastie Boys.

The rest of my evening was tame as I listened to some mellow music by Soja at That Tent around 10 o’clock. I had only heard of Soja because this band occassionally popped up on my Pandora radio. They have grown on me in the past couple of months with their folksy, yet reggae sound to songs. Their newest album “Strength to Survive” is fairly good, and I got to hear some of their new music sitting on the wet grass with tons of other listeners.

Something about their music must have made people want to dance because all sorts of people were on their feet moving to the music. A couple of different girls asked my friends and I to dance. That’s another perk of Bonnaroo: everyone is so nice. I can’t say I danced the night away or anything, but I bobbed my head from my seat on the ground.

Tomorrow is what I cannot wait to hear. I’m not sure how I will be able to sit through nine hours of work. Between Feist, Foster the People and Radiohead back-to-back, I will be all over place listening to some of the best acts the line up has to offer.